print design — Design4Users

The Art of Poster Design. Movie Posters Collection

Marina Yalanska — Mon, 26 Mar 2018 13:42:30 +0000

“Everything I learned I learned from the movies.” (Audrey Hepburn)

The cinematography is a beautiful art which makes our lives brighter and broadens our minds with the help of stunning pictures and extraordinary plots. Since movies have taken such a big place in our hearts, designers often pay much attention to a movie poster design making it stand out from the other directions.

Movie poster design can be considered as an art itself. Designers need to emphasize the important details about the plot still keep the intrigue uncovered. The posters are usually original images or illustrations which give a quick glimpse at the idea of the film.

Graphic designers have a great opportunity to reveal their own vision of the movie characters. Many graphic design specialists remaster posters of the most popular films and cartoons applying various techniques and styles. For example, there is a trend to illustrate minimalistic posters which include one or two attributes of a movie still remain recognizable. Also, a movie poster can be presented as a detailed illustration with many elements transferring the mood of a movie.

Today, we have gathered a collection of movie poster design in different styles. Find the inspiration to create your own movie poster or maybe watch your favorite film.

By Tubik

By Marie Bergeron

By Folio Illustration Agency

By Matt Chase

By Ryan Brinkerhoff

By MUTI

By The Brave Union

By Matt Griffin

By Cristhian Hova

By Amien Juugo

By TommyPocket Design

By Vincent Rhafael Aseo

By Petter Schölander

By Nicolas Alejandro Barbera

By DKNG

By Folio Illustration Agency

By Marie Bergeron

By DKNG

Check more D4U inspiration collections

Сообщение The Art of Poster Design. Movie Posters Collection появились сначала на Design4Users.

Less Is More: Elegant and Minimalist Editorial Designs

Marina Yalanska — Wed, 27 Dec 2017 15:43:43 +0000

New inspirational design set is ready, and this time it’s all about design for print. Continuing the topic of minimalism in design, which we have already presented for interfaces, today, let’s look through a bunch of examples of how minimalism is applied in modern editorial design concepts.

Just to briefly remind, minimalism is a word of broad meaning used in various spheres of human activity. Merriam-Webster dictionary defines it as “a style or technique (as in music, literature, or design) that is characterized by extreme spareness and simplicity”. Being applied to more and more fields, it saves its core traits: meaningful and simple. Minimalism as a direction of visual design got especially popular in the 1960s in New York when new and older artists moved toward geometric abstraction in painting and sculpture. The movement found its impression in the artworks associated with Bauhaus, De Stijl, Constructivism, and so on. In diverse spheres of visual arts, a key principle of minimalism was leaving only an essential part of features to focus the recipient’s attention as well as support general elegance. Lines, shapes, dots, colors, spare space, composition – everything should serve its function being thoughtfully organized. Today we can meet minimalism in a variety of life spheres: architecture, arts, photography, all kinds of design, literature, music, and even food presentation. “A shape, a volume, a color, a surface is something itself. It shouldn’t be concealed as part of a fairly different whole. The shapes and materials shouldn’t be altered by their context”, said Donald Judd, an American artist associated with minimalism. Working in this style, designers seek to make the interfaces simple but not empty, stylish but not overloaded. They tend to use negative space, bold color and font combinations, and multifunctional details making the simplicity elegant. The line dividing simple and primitive is very thin. That is why not all the designers take the risk of trying this direction: some may think it looks too decent, the others don’t find enough ways to show much with fewer elements.

So, welcome to get inspired with a fresh D4U collection devoted to elegant and sophisticated minimalism in design for books and editorials.

By Oscar Riera Ojeda Publishers

By Katharina Schwarz

By Fons Hickmann m23

By Naranjo — Etxeberria

For more inspiration, check other D4U Inspiration posts, for example:

Drone Awards photos 2021
examples of awesome wine packaging designs
impressive food photography and food styling
realistic 3D portraits,
logo design examples
captivating 3D animation concepts
funny 3D characters

Сообщение Less Is More: Elegant and Minimalist Editorial Designs появились сначала на Design4Users.

D4U Expertise: Book Cover Design by Chip Kidd

Marina Yalanska — Thu, 18 Aug 2016 14:52:38 +0000

Сontinuity of generations is perhaps the most powerful tool of human progress. In any field of human activity and self-expression, it provides a solid link between past and future, tradition and innovation, knowledge and experiment. Design is no different: it has the same lifecycle. The ability to absorb the experience and best practices from masters is a must-have skill for even the most revolutionary artists.

To support this idea, here at Design4Users, we launched a new section called “D4U Expertise“. It will collect diverse ideas, talks, cases, and tips from expert designers presenting various directions of design to help users. Ultimately, we are going to have here the set of materials that will be helpful and inspiring both for experienced professionals and for those who only start their path in any of the design directions.

This post aims to draw your attention to a worldwide known and recognized graphic designer, Chip Kidd, a person of great talent and amazing humor.

Biography

According to his personal website presenting the incredible variety of his works, Chip Kidd is an award-winning graphic designer and writer in New York. His groundbreaking book jacket designs for Alfred A. Knopf have elevated the form for close to three decades. He’s worked with hundreds of writers, including John Updike, Katharine Hepburn, Cormac McCarthy, Henry Louis Gates Jr., James Ellroy, Karen Russell, Michael Crichton, David Sedaris, Sharon Olds, Orhan Pamuk, Paul Simon, Neil Gaiman, and Haruki Murakami. His first novel, The Cheese Monkeys, was a national bestseller. His most recent book, Go: A Kidd’s Guide to Graphic Design, is the first book to teach graphic design to children and has over 60,000 copies in print.

As an editor and art director for Pantheon Graphic novels, he’s worked with and published some of the very best cartoonists in the world, including Chris Ware, Art Spiegelman, Dan Clowes, David Mazzucchelli, Charles Burns, Michael Cho, and Alex Ross. He is the recipient of the National Design Award for Communications, and his TED Talk has been viewed over 1.3 million times.

He has produced so many recognizable graphic design ideas for book covers that plenty of people worldwide know those images, although they have never heard the name of their creator. he deeply believes that the cover is a piece of functional art, the chance to attract readers with a memorable first impression given to the book by the designer. Even more, the book cover should give a mental and emotional message from the very first seconds of its meeting with a reader via its title and cover.

Let’s take a look at some of these famous covers that have become a great blend of art traditions, careful analysis of the book itself, and creative experiments that brought the world new “Kidd’s philosophy” of book cover design.

Book covers by Chip Kidd

The designs, featuring some of the huge collections accomplished by the designer over the years, are presented in random, non-chronological order.

Ted-talks

Ted-talks by Chip Kidd inspire a huge number of artists transferring precious practical tips and personal experience. They definitely differ from usual lectures or public speeches by means of his humor and non-standard performance. However, with him this trick works and the jokes create a good contrast to highly serious messages he transfers to the audience.

This is one of the funniest talks from TED2012, where he shows the art and deep thought of his cover designs and also makes you smile and laugh all the time.

The stories can be anything, and some of them are actually true. But they all have one thing in common: They all need to look like something. They all need a face. Why? To give you a first impression of what you are about to get into. A book designer gives form to content but also manages a very careful balance between the two. (Chip Kidd)

So even though we love publishing as an art, we very much know it’s a business too, and that if we do our jobs right and get a little lucky, that great art can be great business. (Chip Kidd)

In this hilarious, fast-paced talk, he explains the two techniques designers use to communicate instantly — clarity and mystery — and when, why and how they work. He celebrates beautiful, useful pieces of design, skewers less successful work, and shares the thinking behind some of his own iconic book covers.

Clarity or mystery? I’m balancing these two things in my daily work as a graphic designer, as well as my daily life as a New Yorker every day, and there are two elements that absolutely fascinate me. (Chip Kidd)

Lectures and interviews

Here we have also collected several videos giving more insights of Chip Kidds life and professional path and containing a great deal of useful tips for designers based on extensive practice. Enjoy!

Lecture at Hammer Museum

Chip Kidd interview: What the Stories Look Like – Conversations from Penn State

Chip Kidd Insights Lecture

Chip Kidd’s speech at OFFSET 2009

Shelf Life 2: Chip Kidd

Image Credit: Hammer Museum

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