identity design article — Design4Users https://design4users.com/tag/identity-design-article/ Tue, 26 Jan 2021 09:09:19 +0000 en-US hourly 1 https://design4users.com/wp-content/uploads/2020/06/cropped-favicon-32x32.png identity design article — Design4Users https://design4users.com/tag/identity-design-article/ 32 32 How To Build a Strong Mobile App Brand https://design4users.com/mobile-app-brand/ Mon, 30 Nov 2020 08:57:42 +0000 https://design4users.com/?p=9425 With more and more mobile apps around, that’s not easy for newcomers to reach and grow their audience. Competition is really hot: according to Statista, as of August 2019, there were almost 3 million available apps at Google Play Market and about 2 million apps in the Apple’s App Store, the two leading app stores […]

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With more and more mobile apps around, that’s not easy for newcomers to reach and grow their audience. Competition is really hot: according to Statista, as of August 2019, there were almost 3 million available apps at Google Play Market and about 2 million apps in the Apple’s App Store, the two leading app stores in the world, and the numbers are steadily growing. So, not only should mobile apps offer high quality of their performance but also build up strong brands to stand out. Today we are discussing strategies and tips for mobile app branding.

calorie calculator app tubikstudio

Calorie Calculator app

What Is Mobile App Branding?

As usual, let’s start with terminology. In one of our previous articles, we have already defined branding as a set of marketing and psychological techniques and steps to promote a product, service, persona, etc. setting a brand.

In its turn, a brand is an image created with a set of distinguishing features and promoting awareness and recognizability of the product or service on the market, it’s what people think and know about it.

So, mobile app branding is how users will perceive the app interacting with it: its visual image, its communication, and its reputation.

case study mobile app design

Slumber app

Questions to Consider

Building the brand for your app, first of all, you answer the questions traditional for building up any brand:

  • Who is going to use your app and why are they going to use it?
  • What is the USP of your app? What makes it unique compared to others?
  • What is the look of your app? What is the main message it transfers with its visual symbols like logo, colors, illustrations, mascots, etc.?
  • What feelings and emotions does your app wake in its users?
  • What is the tone and voice of your app? Is it formal or informal? Does it communicate with a user as a friend, expert, mentor, or someone else?
  • How will users get information about your app? What are the channels of communication between the app and the user?

The answers to these questions will allow for forming the general approach that influences all the sides of work on the app design, development, and promotion. Branding will have an impact on user experience logic and transition, colors and typography, graphics and animation, copy, and style. It will define which channels and methods of promotion will set the shortcuts from the app to a user. Therefore, to make mobile branding effective, you have to answer these questions before design and development start. In this case, all the effort will be put in one complex direction and the brand image will be integral and consistent.

For example, here’s the Cuteen app: here the mobile app brand is targeted at teenage girls which determined the solutions on naming, original graphics, and interaction patterns.

cuteen case study mobile-UI-tubik

Mobile App Branding Strategies

After you’ve defined who is the target audience of the app, what problems it solves, and what message it sends to the world, it’s time to build a brand image step by step. Let’s check some strategies and features essential in this process. For sure, all of them should be based on user research and market exploration to find the original solutions.

Logo and App Icon

One of the core elements of branding is a logo which is a visual symbol representing the brand. There are different types of logos:

  • Symbol: an image of a high symbolic potential associated with an app brand name, functionality, or area of usage
  • Logotype (Wordmark): artistic lettering featuring the full name of the brand
  • Lettermark: the first letter of the brand name presented in an artistic manner
  • Combination mark: two techniques used simultaneously – symbol/lettermark and wordmark
  • Emblem: it inscribes the wordmark or lettermark presenting the name of the brand into the symbolic image.

Logo animation and app icon for Uplyfe mobile application

Talking about mobile apps, the important thing to think about is the correlation of the logo with an app icon. An app icon is an interactive brand sign that presents the application on different platforms supporting the original identity. In most cases, it features the logo of the app designed according to the requirements for this kind of icon. As an app icon is placed on a very limited amount of space, big wordmark or complex emblem logos can’t be used effectively. So, app icons tend to feature symbols or lettermarks.

However, it also can apply something else, for example, a mascot or an abstract combination of corporate colors. Another approach may be used for the apps presenting well-known brands with already recognizable logos: in this case, designers will have to adapt the well-known logo image to the form of an app icon while inside the app they will use its full form, for example, on a splash screen. Here’s a splash screen for Toonie, featuring app mascot and a logo wordmark.

toonie-photo

Keywords

One more good way to make the branding consistent is by making a set of keywords for it. They can be divided into several groups according to their role.

Descriptor keywords will identify and describe your brand, so all the participants of the creative process will understand what image the app has to get and what message it has to send. These keywords define the core features users should catch immediately from the looks and interactions. For example, in this set you may define the app as “funny, entertaining, bright”, or “helpful, simple, minimalist”, or “business, luxury, exclusive” and so on, and so forth.

Brand keywords present the set of words people will use to find your app. It’s not only the original name but also different variants of its extension as well as typos. For example, in the case of our Upper application, the list will include Upper, Upper App, Upper to-do app, Upper mobile app, Uper, UPPER, and so on. This list will be helpful for SEO issues and promotional campaigns if you plan any.

Brand-Plus keywords are the combinations of a brand name with qualifying words or phrases. For example, for our Toonie Alarm app, we have Toonie stickers, Toonie mascot, Toonie tutorial, Toonie special offer, Toonie for iOS, Toonie stickers for iMessenger, Toonie landing page, and the like. They form another collection helpful for both SEO and content creation.

upper app UI design case study

Copy: Name, Slogan, Style

For sure, these points would better be agreed upon before the actual creative process of design and development. The thing is that naming in terms of strong competition is another big challenge and it has a huge impact on all the following solutions about design, marketing, and communication with users. Except for deciding on the name which you find reflecting the benefits of the brand and memorable, you will need to ensure about:

  • availability of this name in AppStore and PlayMarket (if it’s not available, you’ll have to find the variants which may belong to your brand and brand-plus keywords or start from zero and find another name)
  • a domain name for a website or landing page you will have for the app (in case, the app is an independent product rather than the supporter for an existing brand)
  • presence of the app name on the Internet (there may be other non-app brands already using this name and hard to compete with).

Moreover, the name of the app will influence the general stylistic concept, choice of colors, ideas for a logo and mascots, design of app icons, and many other things. So, if you make a decision at the start, you will save many hours of redesign later. Still, this path is just a recommendation, not a cure-all: there are many good examples when apps are renamed right in the process of creation or even after the launch successfully, but in this case, you should be ready for additional working hours and some effort on remaking other assets.

One more point in this section is the slogan, a catchy brand tagline sending the message about core app benefits to the user. In branding for a mobile app, it may seem not crucial as sometimes there is no place within the app for much copy. However, try thinking beyond the app itself: you’ll definitely need a slogan for outer channels to promote the app. It may be used in social networks, promo videos, reviews, landing pages, emails, etc.

And another thing to think about is UX-writing and copywriting style for the app. Copy sets the tone and voice of communication and sets the type of relations with a user. So, it’s vital to reach an understanding of how the app will talk to the users and keep this style across all the channels within and out of the app. Some minor changes are acceptable for various channels but the general communication should feel consistent from one point to the other.

toonie-alarm-mascot-design

Graphics

Developing a strong app brand, it’s vital to give it the pinch of originality even if it sells something very basic and widely-spread. Custom graphics play the premier violin here. They will make the app unique attracting users’ attention. Don’t forget that aesthetic satisfaction is one of the strongest factors of desirability.

In this aspect, consider using the following graphic content:

  • logo (described above)
  • mascots (symbolic memorable characters communicating to a user on behalf of the app)
  • custom illustrations (visual prompts on functions and processes, theme illustrations)
  • branded interactive elements (loaders, splash screens, tutorials, etc.)
  • photos (not only inside the app but also high-quality photos of the app for its promotion)

Loading animation with custom graphics for Event Planner app

Product Video

Video content is more and more popular today, in the era of YouTube and Snapchat. The branding for the mobile app is not an exception. A product or explainer video is a short animated presentation of app features and advantages, informs about special steps of interactions and shows its problem-solving potential. A creative and catchy video is a good way of attracting customers’ attention and the proven method of informing them quickly and brightly. A video activates several channels of perception — audio, visual, sound — simultaneously and usually does it in a way of telling a story. For example, here’s an explainer video we made for OffCents mobile app.

Personalization and Onboarding

User onboarding is the set of techniques and interactions whose objective is to comfort users and give the first concise introduction to the product. There may be textual prompts, tooltips, tutorials  – and all of them can carry the slight signs of branding in both copy and graphics. All these details shape the positive user experience and support brand loyalty with happy users.

Personalization is a users’ ability to customize some features and interactions according to the individual users’ needs. Among the examples, recently we shared a case study on Recipe App which enables users to set personal goals and exclude the unwanted types of food or ingredients to customize their list of recipes.

perfect recipe app tubik ui-design

Another example is Upper App which enables users to choose among various skins to make the app looks correspond to their preferences.

upper app design

Gamification

Gamification applies game mechanics into the non-game environment, in particular, mobile applications. Challenges, badges, leaderboards, bonuses are effective methods of user motivation. Applying graphics in brand stylistics, they support brand awareness and make the app interface easily recognized. Even more, such virtual or even real rewards encourage users to share their success with friends both online and offline – this way, they become another channel distributing information about the app and witnessing positive user experience.

Gamification in UX. Boosting User Engagement.

Help and Support

No man can make a good coat with the bad cloth. Real branding is not only about attracting attention and making an incredible first impression. It’s about all the experience users will have. So, take care of how they will the support they need at any step of interaction, especially in the case of complex mobile products like social networks or e-commerce.

Landing Pages

Landing page is a tool of great importance for building the mobile app branding and online presence. It plays a crucial role if the case is mobile-only and the app doesn’t correlate with a website. In general, it is a web page designed with a focus on specific relatively narrow goal and a quick way of accomplishing a particular action. So, for a mobile app, the goal will be app installation and the landing page will concisely cover its benefits and functions. What’s more, you can create multiple landing pages for one app based on various segments of the target audience with geographic, gender, psychographic, demographic and behavioral targeting. It is an effective way to reach users and give them a quick presentation of the app which will tell them more than just screenshots on the AppStore. Here’s the example of a landing page designed for a dating mobile service.

landing page design

Landing page for a dating app

banking website

Mobile banking app landing page

vertt web design

Landing page for Vertt, car sharing service app

Social Networks

One more channel supporting branding strategy for a mobile app is social networks. Promotional campaigns, reviews and public pages for the apps should not be seen only as a direct sales channel from which users will directly install the app. Social networks are first of all the big channels of brand awareness and brand recognizability so don’t neglect their influence.

Brand Ambassadors and Opinion Leaders

This strategy for mobile app branding is also based on socializing. There’s still no better advertising than the recommendation from people whom you trust. Social networks with their huge and diverse audience form the growing trend of marketing with opinion leaders (individuals or businesses that are able to influence public opinion in their area) and brand ambassadors (an influential person hired to present the brand and build its positive image and strong awareness). Choosing this direction, remember two things:

  • opinion leaders mostly care about their audience and reputation so they won’t promote what they don’t like or don’t find good for their audience, even rejecting profitable offers
  • opinion leaders and brand ambassadors will waste your money if the product is half-baked. You may get the big traffic from the campaign and attract many users but if they get something with numerous bugs or lorem ipsum here and there instead of real copy, it will have a bad influence on the brand image in general. Positive experience first. Presentation and promotion after it.

tasty burger app ui design-tubik-studio

Tasty Burger app

So, it’s easy to see that making mobile app branding deals both with app UI/UX and outer channels of reaching users. Neglecting one of the directions you risk failing another. Greatly designed and developed app will die unknown if target users don’t get the information about it. Amazing and well-performed marketing campaigns will waste your money if the app is trash. Only together they will build up a strong app with a loyal audience.

Useful Reading

6 Creative Stages of Branding Design

Mobile App Design: Big Guide into Types of Mobile Applications

UX Design for E-Commerce: Principles and Strategies

Relations of Branding and UI Design

Business-Oriented Design. Explore the Target

Design for Business: User Friendly Way to Profits

Two Types of User Motivation: Design to Satisfy

 

Originally written for Tubik Blog

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Design Case Study: Ribbet. Logo for Online Editor https://design4users.com/case-study-logo/ Thu, 19 May 2016 14:33:32 +0000 http://www.design4users.top/?p=4952 Case study on logo design. Designing logo and branding elements for the online photo editor Ribbet by Tubik Studio. From sketches to final lettering and image.

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You could already read our previous case study, in which we told about UX/UI design for the Echo project. This time we are going to show the other case of design: issues and peculiarities of the design process of logo creation.

Being a symbolic sign, logo is one of the most important parts of a company or project identity. It should combine lots of magic ingredient of success: pure and distinctive shapes and colors as well as the overall image being both original and meaningful. A designer assigned to create the logo gets a very responsible job and has to get through lots of ideas and updates before the creation of the final version satisfying the customer.

The designer for Tubik Studio Arthur Avakyan is already experienced in such things so he always considers lots of those issues and he did the same working on the logo for Ribbet project

Tools:

Pencil sketching, markers, Adobe Illustrator

Task:

Designing the logo for the online photo editor with a wide set of tools.

Process:

The designer started working out the idea of lettering compositions that could be used for logo style.

Logo sketches by Tubik Studio

First sketch variants of new lettering

Logo processed with Illustrator

Lettering processed in Adobe Illustrator

However, the customer wanted to use the visual elements that would be associated with the mascot of the company. The word used as the name of the company — Ribbet — is one of the variants to express the sound made by a frog or a toad, so the image of a frog has been originally the mascot of the company. They wanted to preserve it in the logo in order to create the consistency with other visual elements of branding as well as the name of the company. Having analyzed the experience of the other competitors on the market, they came to the conclusion that it would work efficiently and would create better web-presence. Being widely functional, the service lacked in the style which would distinguish it from the competitors. So, it was agreed to create the variants combining lettering with the visual elements reflecting the mascot.

It should be said that the logo was created in tight and deep connection with the whole concept of the Ribbet site design. Tubik Studio has been working with this customer on the general design of the site and that was the reason why the company decided on creating the logo which would correspond with the general conception. By the way, that was a very efficient decision as the designer creating the logo was able to work together with designers developing overall redesign of the site at all the stages of the project. Very soon the users will see an absolutely new version of the Ribbet site style.

Originally the company didn’t have a visualized logo using any image — they used only a lettering composition reflecting the name of the site. So, the task was to create a unique logo which company could use in all its products and social networks profiles.

Therefore, as the online graphic editor already had the general style of the site developed and it included mostly dark colors and shades with some blue color accents and was quite strict, elegant and serious, the concept of the logo had to correspond to it. The website was totally redesigned and the lettering used for logo needed fully new concept too.

Trying to get away from the previous idea, the author offered a neat geometric originally made lettering composition.

Logo on the site

4

Trying new versions of lettering in the redesigned style of the site

When the customer asked to develop the idea of the visual element showing the mascot, the first variants of visualizing the frog were based on the image of a frog’s pad, but they didn’t seem really clear to make necessary associations with a frog in different sizes, so the designer decided to try other variants.

Tubik Studio Ribbet logo

The variant of visualizing the mascot with the image of a frog’s pad

All first versions were created by means of traditional pencil sketching aiming to keep elegant and serious stylistic features. At the same time, the designer worked on the other version of lettering, more gentle and rounded than the previous.

Pencil sketches for logo

First sketches visualizing the company mascot for the logo

Logo with lettering pencil

 

lettering for logo

The combination of new visual elements with the new style of lettering

The collaboration with the customer was kept first of all through revision of the sketches and afterward if those sketches had been approved, they were processed in Adobe Illustrator.

The first version of the frog seemed to be a bit complicated for the customer so they asked to simplify it by eliminating some details and making the image clearly perceived. There was created the variant with the half-head of a frog, which was not clearly associated with the frog so it wasn’t accepted.

Logo frog head

The simplified version of a half-head frog image

Logo and lettering

Combinations and versions of lettering and images of a frog with different details and shaping

The customer asked to add a little fun and joy to the image so that they could see if the character will work. Taking this into account and meeting the customer’s wish, the author added some details, trying to play out a smiling mouth.

Logo with lettering

The emotionally marked character of the mascot in combination with various lettering styles

The version was rather stylish; however, it didn’t match with the whole stylistics of the site, so this variant was put aside on the agreement of both the customer and the designer. The task became more distinct: to create a more natural image of the frog adding some details, as the practice showed that oversimplified version could confuse a user and prevent the customers from achieving their aims.

The customer selected and showed the samples of real logos which they liked and thought appropriate in the perspective of brand identification. Those samples showed that the main accent should be still put on lettering. After creating and reviewing numerous variants of lettering the customer and the designer agreed on one as the best version.

Lettering for logo

 

Logo lettering

Working out sophisticated lettering versions

Then there was a long and thorough process of specifying the details to the approved version, such as lengthening/shortening or moving some strokes and elements. There were tons of tiny but really numerous corrections and alterations in order to get the most harmonic version. It is natural as the logo was based at purely original and uniquely created lettering. At last, the final version was agreed upon.

Logo processing

Logo lettering

 

 

Logo final lettering

Thorough work on details in the final version of lettering

Nevertheless, the designer didn’t forget about the customer’s desire to visualize the frog as the mascot of the site. So, the designers of Tubik Studio got together at brainstorming session and developed the idea of using previous images of a frog and animating them in a functional feature of preloader.

Tubik Studio designers

Brainstorming session in Tubik Studio

Preloader image

The final image of a frog animated for a preloader on the site

In addition, there was created a simple and rounded variant of a frog image which could be used together with the lettering or independently.

Frog logo image

Frog images for logo

New versions of visualizing the mascot for logo

Logo with lettering

Various combinations of lettering with the image of the mascot

So, it can be seen, that the designer has made great efforts to meet all the needs and wishes of the customer, that is why his work was highly appreciated by the customer. In a while, all the work on the website redesign by Tubik Studio together with the new logo will be presented to the users of the Ribbet service.

Logo final version

The final version of Ribbet logo

This case has become one more example showing how many attempts should typically be made in the process of logo creation. The designer has to do his best and be always ready to listen carefully to the customer. In addition, it is vital to be ready for research and deep analysis of existing products in the sphere in order to create original and highly competitive product satisfying customers, increasing brand identity and attracting users.

Originally written for Tubik Blog

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